MUSIC . One Track Mind

Modest Mouse

"Missed the Boat"

Published: Apr 10, 2007

There seems to be a shared reaction to Johnny Marr's presence on the new Modest Mouse record: "But you can't even hear him!" It's true. For as much as PR wags have hyped the former Smiths guitarist joining Isaac Brock and his reticent rodents, the result of the collaboration sounds like trademark Modest Mouse, down to the letter: jagged chords, funky riffs, minimal arpeggios, hoots and hollers, all of it very physical and earthy in tone. While this speaks to Marr's versatility — he effectively joined a band with a distinct style and refrained from imposing his own distinct style overtop — it often feels like, wherever a new idea might have arisen, he threw up his hands and yelled, "Bury me with it!" Not so on the midrecord sing-song moment "Missed the Boat." A diminutive drum machine guides Brock's friendly fingerpicking intro until Marr's triumphant, clean electric guitar chord slowly unfurls, jangling in reverb. It does it again, riffs around in the upper register, then returns. If things didn't sound Brit-pop enough, an electric violin solos for a few bars. When Brock begins his musings — which, ironically, deal with the squandering of life's potential ("Well nothing ever went quite exactly as we planned/ Our ideas held no water but we used them like a dam") — the tapestry Marr wraps them in creates a sense of warmth, promoting the singer from rustic rebel to poetic sage.

See if you can spot more Johnny Marr moments that we missed on Modest Mouse's new We Were Dead Before the Ship Even Sank (Sony/Epic).

 

Comments

I completely disagree. Marr's influence (and guitar) are clearly distinguishable on Dashboard, Florida, and Missed the Boat - and that's just off the top of my head. I think it's a real tribute to the band that they still sound like Modest Mouse, just with an additional layer or texture of rhythm guitar that supplements things beautifully.
by pemulis on April 12th 2007 2:23 PM

I got to see Modest Mouse live in Seattle a couple weeks ago, and Johnny's influence spreads much further than just the guitar. Marr sings backup on numerous tracks, and has significant guitar contributions on everything. I heard this same critique about the new lineup before the show, but after I am completely sold. Johnny is a wonderful compliment to Issac Brock both on this record and live. The man deserves some kudos for not trampling over Brock's distinctive style, similar to the bolstering he gave Matt Johnson from The The on Dusk and Bernard Sumner with Electronic. He is the consummate professional sideman because he brings out the best of people we already love.
by chrissea on April 18th 2007 8:20 PM



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