classical
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Joyce DiDonato has come a long way from lunching on pretzels in Rittenhouse Square between classes at the Academy of Vocal Arts. The charismatic singer returns for a Chamber Music Society recital trailing sensational reviews from the world's greatest opera houses and concert stages. You could call her the classical music world's "mezzo of the moment" except that her winning, incisive artistry, in person and on recordings, is not of the flash-in-the pan variety but instead proves a lasting contribution. Her singing offers utter vocal security: spectacular agility, generous breath control, a wide range she's comfortable up to high D, higher than many sopranos dare to rove and a stunning command of musical and verbal phrasing. Unlike many younger singers, cushioned by opera audiences' reliance on projected titles, DiDonato really cares about words she's also one of the coolest operatic bloggers (yankeediva.blogspot.com) and puts text across with idiomatic diction plus fervor, humor or whatever's needed, making her a natural for the recital format. Sunday's program includes Vivaldi, Chausson, Turina, Copland and Gershwin. Kudos to PCMS: If you lived in New York, you'd be paying up to $60 to hear this concert.
Sun., March 30, 3 p.m., $8-$22.50, with David Zobel, piano, Independence Seaport Museum, 211 S. Columbus Blvd., 215-569-8080, philadelphiachambermusic.org.
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