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Michael Froio's black-and-white photographs capture the insides of Philadelphia buildings — the Civic Center, the Philadelphia Board of Education Building, the Divine Lorraine Hotel and Memorial Hall — in all of their pre-demolition glory. Amid the crumbling walls and piles of debris are hints of what once was, like a sheet slung across an old murphy bed on the seventh floor of the Divine Lorraine.
Bill Lohre's little green islands jut from the wall (pictured), each one containing its own bizarre, dreamlike world, where carrots grow on trees and cardboard-cut-out ladders disappear into clouds. In his eerie Small Hotel, a pool sits on stilts in the sky, a tiny floating lady dead in the water. Also included in the exhibit are Marie DesMarais' doodle-y paintings on recycled window panes and Joshua Erb and Candace Karch's collaborative photo series of creepy dolls.
Every year for more than a decade, a handful of the country's most prominent wood turners and carvers gather for a few days in Bucks County to collaborate on new works. Their best creations are both completely weird and functional — like a harplike instrument shaped like a gas pump, or a little pot-bellied creature that doubles as a desk lamp, with dangling bits of phone cord for hair.
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