by Shaun Brady
Jazz
Too many visionary artists have to wait until after their death to finally receive their due. Andrew Hill managed to just beat that deadline, with a burst of activity and tributes that brought him back to jazz's forefront over the course of a few years prior to his passing in April 2007. The pianist/composer made a triumphant return to Blue Note, the label with which he'd started in the 1960s, for his final album, Time Lines; guitarist Nels Cline released New Monastery, a tribute to Hill's richly layered music; and most importantly, his 1969 session Passing Ships was rescued from the vaults and released 34 years later. When Hill presented a live rendition of the album in 2006 at New York's Merkin Hall, his nonet included trumpeter Ron Horton, who now leads a sextet through the same music as part of Ars Nova Workshop's "Free/Form: Composer Portrait" series (which will also host Cline's project next year).
Fri., Dec. 12, 8 p.m., $15, Settlement Music School, 416 Queen St., arsnovaworkshop.com.


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