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Leverett continues to blend her klezmer clarinet with famed bluegrass instrumentalists like Barry Mitterhoff (mandolin) and Kenny Kosek (fiddle) on tunes drawn from both traditions. A surprise vocal on "Little Moses" from the queen of mountain sound, Hazel Dickens, makes this CD a surefire winner.
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This collection is deliciously typical O'Brien, only solo: just him and his fiddle, or guitar or mandolin. Like the creature in the title, the changes are radical and surprising, but all natural. One track bluesy, another oldtime, then a bit of the Caribbean, the songs alternately break your heart and tickle your funny bone. Take his advice: "Get Out There and Dance."
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Kenny Neal has the quintessential blues voice, but his Louisiana roots can't help but blend soul and swamp pop into the big-city blues gumbo.
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For real, jazz bassist Charlie Haden of Liberation Music Orchestra started his music career at age 2 in his family's country music act. A recent reunion had him and his kids prove that breeding will tell; with no rehearsal they harmonized perfectly on the old songs, like "Single Girl." Joined by country stars like Jerry Douglas, Ricky Skaggs and Roseanne Cash, these are true roots showing.
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Impressions spin by quickly: growlingly powerful lead vocals, the definition of mountain blues, drum-tight harmonies, a base of fiery fiddle and banjo. The Steeldrivers also write catchy songs — try to get the honky-tonking "Drinking Dark Whiskey (Telling White Lies)" out of your head.
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A bit of nueva cancion, a few, just a few, dabs of jazz horn and keyboards, mariachi music done up as modern jazz — this is Sol y Canto's pan-Latin repertoire in the 21st century. As always, Rosi Amador's emotive soprano grabs the spotlight.
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This time Russell takes on the early birds — think Bessie Smith or Alberta Hunter. It's all very precise, right down to the tuba in place of bass fiddle. Genuine hot jazz.
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Gotta love a band that writes conscience-prodding lyrics and plays square dances next to sambas. Sarah Dugas' smokey lead vocals are well-adapted to world music as well as fresh-minted originals.
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Once country veteran Mattea saw An Inconvenient Truth she became a woman possessed, traveling around to present Al Gore's PowerPoint in person and adding in her Grammy-winning voice for good measure. A coal miner's granddaughter, she counts on her West Virginia birth to get the attention of country audiences. Gathering some of bluegrass's best pickers doesn't hurt, either.
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Before fusing ethnic musics became almost compulsory, Andy Irvine — along with his longtime Mozaik co-conspirator, Donal Lunny — may have been the first to set English-language lyrics to Balkan rhythms with Irish instrumental breaks. Mozaik is still pushing the puree button, this time embracing Appalachian, Hungarian and Dutch traditional sounds. It's seamless.
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