ARTS . Theater Review

More Matter, Less Art

REVIEW: Lantern Theater Co.'s Hamlet

Published: Apr 14, 2009

It was bound To Be. Lantern is famous for hiring Philadelphia actors who give career-making performances in the great Shakespeare roles. Of course this super-smart company would hire Geoff Sobelle, the dazzling star of Pig Iron, and turn him loose on Hamlet. Another triumph, surely?

It was Not To Be. Oh, Sobelle is a virtuoso. He has superlative technique and a plethora of ideas. But his performance is all about novelty and so full of self-conscious cleverness that the character never coheres. Line readings are deliberately perverse: "To be, or not to be" is casually tossed off in record time.

ADVERTISEMENT

But it's a cheat. That soliloquy, an audience favorite, is famous for a reason. A Hamlet who subverts it just to try something different isn't doing his job. Sobelle has great moments, mostly where smugness and satire are effective. He's funny in the speech to the players. But throughout, he yowls, stammers and grimaces. He throws himself on the floor, or climbs the scaffolding like a jungle gym. There have been poetic, melancholy, romantic Hamlets. This may be the first Hamlet-with-ADHD.

 Sobelle's Hamlet is like a runaway train, overpowering everything in his path. Or perhaps it's Charles McMahon's direction that strives too hard for muscularity? The result is a production that — despite a running time of three hours — feels so rushed that it fatally lacks any emotional connectedness or lyricism. Joe Guzmán and Mary Martello are perfunctory as Claudius and Gertrude. Dan Hodge (Horatio), Dallas Drummond (Guildenstern and other characters) and Dave Johnson (Rosencrantz and others) are fine, but the use of this collective ensemble increases the problem for audiences that the supporting characters in Hamlet can be hard to tell apart. Melissa Dunphy is an appealing Ophelia, who inexplicably wears what looks like Bing Crosby's golf hat. (Costumes in general are bizarre.)

Yet a couple of wonderful actors remind us of Lantern's Shakespeare at its best. Tim Moyer is simply marvelous as both Polonius and the Grave Digger — this is a performance that makes the language comprehensible and still relishes the poetry. And Andrew Kane is a deeply touching Laertes — sometime soon, let's see him as Hamlet!

Hamlet | Through May 17, $27-$35, Lantern Theater Co. at St. Stephen's Theater, 923 Ludlow St., 215-829-0395, lanterntheater.org

Comments

I couldn't disagree more with Mr. Fox's assessment of Geoff Sobelle's performance. Hamlet is often protrayed as a morose young man, so lost in his own misery that his gradual descent into depression--interrupted by fits of mania--and ultimate demise borders the tedious. Most modern portrayals of Hamlet turn him into a character on My So-Called Life, writing bad poetry and listening to Nirvana, wallowing in self-pity. Sobelle's interpretation breathes new life into the role. Basically, if you like your Hamlet straight-laced and somber, then this is not the show for you, but, if you are open to a new version of the sweet prince of Denmark, one with passion and vivacity, then you won't be disappointed.
by Stephanie on April 17th 2009 10:44 AM



Also In This Week's Arts Section

Art:
Flux Capacity
by Ptah Gabrie

Full Exposure:
Positive Vision
by John Vettese

Arts Picks:
Luminous Darwin
by Holly Otterbein

Arts Picks:
Jeanne Ruddy Dance
by Lauren F. Friedman

Arts Picks:
Canstruction
by Holly Otterbein

Arts Picks:
Skin Stories
by Lauren F. Friedman

Arts Picks:
The White Room
by Mark Cofta

Kaleidoscope
Arts Picks:
Joe Queenan
by Carolyn Wyman

 
 
ADVERTISEMENT