ARTS . Theater Review

Freudian Slip-Up

REVIEW: Hysteria

Published: May 26, 2009

Jim Roese

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"Please remember," says Sigmund Freud to the young woman, "you are in my study, not some vaudeville house!" As usual, the doctor has a point. Terry Johnson's Hysteria, in which Freud and Salvador Dali meet and exchange imagined bon mots, is a confused mix — part pretentious melodrama, part inept farce. Stay away, unless you enjoy watching a third-rate playwright belittle a pair of geniuses.

It's 1938, and Freud, now residing in London, is dying of cancer. Out of the night comes a mysterious woman, who runs around naked a la Benny Hill and later becomes a shrill amalgam of Freud's case studies. (This character, called Jessica, is a grotesque stereotype, further demeaned by Jiri Zizka's insensitive direction.) Freud has other visitors — his physician, Yahuda, who seems to represent Freud's Jewish conscience (oy), and Dali, who represents nothing but has a funny accent.

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If any of this went anywhere — or were the slightest bit amusing — well, OK. Instead, it's a mirthless, interminable evening with lots of name-dropping — Picasso, Jung, Moses — meant to make us feel smart. (Don't worry, there's a glossary in the program in the unlikely event you can't keep up.) Will the Wilma never get away from the long shadow of Tom Stoppard and, more importantly, his mediocre imitators?

As Freud, distinguished actor Alvin Epstein manages to come away with his dignity intact. The same goes for Merwin Goldsmith as Yahuda. Matthew Floyd Miller, as Dali, fares best: It's music-hall shtick, but he does it with verve. About Jessica — the character and the execution — the less said, the better.

If you've seen any Jiri Zizka production, you'll know there's a big finish. Sure enough, we get the requisite JZ visual clusterfuck, this time including, among other elements, wall-size breasts, Dali's clocks and nude women in a concentration camp. There's no denying Zizka has style. But shouldn't a director be able to distinguish a good script from a turkey? Hysteria, along with Wilma's recent Ying Tong and Schmucks, completes a trifecta of dreadful British comedy. A group of blindfolded schoolkids could pick better material.

Hysteria | Through June 14, Wilma Theater, 265 S. Broad St., 215-546-7824, wilmatheater.org

Comments

All of the elements that are referred to as a clusterfuck are in the script. The play is fine, entertaining and witty. It also won an Oliver in London, perhaps a more discerning audience than the reviewer. Really, the f-bomb in a review? That's impoverished.
by Anna Freud on May 27th 2009 10:13 PM

To D.A.F.: Thank you!! I was bewildered by the choice of this less-than-mediocre play. Could not agree more with your assessment. And To "Ms. Freud": just because a play wins an award does not give it a free pass. (The Oliviers have been no more foolproof a barometer than the Tonys.)
by Fervent Agreement on June 4th 2009 4:37 PM

Funny? not last night it wasn't. This play has no idea what it is, Farce or psychological thriller, and therefore was neither. Funny? lets end the first act with a 15 minute solioquy on why someone's mother killed themselves and whose responsible for the oral rape of a 5 year old.. Damn those funny playrights...Someone at the Wilma should be fired for their misleading marketing..

If the cast knew their cues, they certainly got lost a few times. And the big Dali scene was an embarassment with young plump naked ladies dressed as starving jewish inmates, complete with cheap granny glasses and men in Daliesque beards, that looked spray painted on. Might work in a big house.. but certainly not in an intimate theater like the Wilma...And don't start me regarding the guy dressed as a swan. Grammar school costumes are better. Even the set could not decide its point of view, changing its perspective at the doors, but not in its focal point or furniture.. Very disappointing.. and at curtain call time.. you could tell the cast felt the same way....
by Profoundly disappointing on June 6th 2009 5:35 PM



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