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jazz
The influence of rock music is almost a constant in modern jazz, unsurprisingly so. A couple of generations removed from jazz's last claim to the title of "popular music," it's inevitable that young musicians started out with something that had a chance of getting played on the radio. But most of that influence, filtered through the consciousness of so many college-age, conservatory-trained upstarts, takes the form of headier indie rock; Radiohead could legitimately be said to have a "songbook" by this point. But Father Figures drags the music back into the garage, kicking and screaming — the kickier and screamier the better, from the sounds of it — for what they refer to as a "booze-fueled jazz/rock joyride." The Brooklyn-based quintet careens through its influences (a '60s free-jazz blowout here, a sludgy grunge crawl there, a marching band beat collapsing and regathering into electric-Miles orbit) with ragged, sweat-drenched energy. You don't need a mission statement to just hit the gas and go.
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