Pie's the Limit

Stella may well redefine how Philly eats pizza.

Published: Dec 22, 2009

TRUFFLE SHUFFLE: Pizzeria Stella's tartufo pie � featuring truffle cr�me, truffle pur�e and truffled pecorino cheese � is decadent and delicious.
Jessica Kourkounis
TRUFFLE SHUFFLE: Pizzeria Stella's tartufo pie — featuring truffle creme, truffle purée and truffled pecorino cheese — is decadent and delicious.

[review]

Fourteen years ago, Philly's dining scene appealed to a much older crowd — to the extent there was a dining scene at all. But after Stephen Starr opened the Continental in 1995, everything changed. The Old City martini bar "struck a nerve with people who were young, and people who wanted to feel young," Starr recalled in a recent interview. Other restaurateurs, in Starr's eyes, "wanted to aspire to have that sort of reaction." Many have succeeded.

Pizzeria Stella, the latest addition to Starr's ever-expanding restaurant galaxy, may turn out to be just as revolutionary for Philly.

Stella ("star" in Italian) is Starr's first foray into proper pizza, something he tackled for the same reason he initiates many of his projects — he wasn't satisfied with the existing landscape. "The only pizza in Philadelphia I thought was good was Tacconelli's," Starr said. "Other than that, I didn't know where to go."

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But that's pretty much where the parallels to Starr's other eateries end. There were no movie-set designers brought in to translate Parisian al fresco drama. No color-changing escape-pod booths. No tricked-out low-rider bikes. Instead, Starr took a minimal approach to revamping a former Cosi — root beer glass tiles; industrial lighting fixtures from a flea market in France; reclaimed wood from discarded planks of the Coney Island boardwalk; airy ceilings.

The focus here is on the food. Before it opened, Starr and his crew organized pizza research trips to New Haven, Brooklyn and Manhattan. Starr's culinary director, Chris Painter, traveled to Phoenix's Pizzeria Bianco as well as to Charlotte, N.C., to study dough with American Pie author Peter Reinhart.

The result of all this exploration — a 12-inch, thin-crust pizza, slightly crispier than a Neapolitan-style pie, with a puffy cornicione (the crown, or end crust).

The device (or "Buddha," as Starr likes to call it) that makes it all possible is Stella's Renato wood-fire brick oven — the best seats in the house are at the counter in front of this flame-licked, igloo-shaped beast. As I sat drooling into my tumbler of house red, I couldn't help but succumb to the hypnotic clip of the kitchen team as they worked raw dough around the peels of flour-dusted Tuscan pizza paddles. After decorating with toppings, they slide the pies into 700-degree heat stoked by burning oak, apple and cherry woods. (Occasionally, they toss a handful of pecan wood shavings into the fire, creating a hiccup of flame that curls the heat around the inside of the dome.) After roughly two minutes and three turns with a metal paddle, a Stella pie is ready.

I watched Painter and Stella chef Shane Solomon (Tangerine, Angelina, Washington Square, Parc) inspect each pie with an intensity akin to clerics poring over religious tablets. Does the cornicione have the proper width (an inch to an inch and a half)? Does the puff of the crown rise from the surface? Are the topping levels and colors right?

All that fussing pays off. Stella's pies — fiercely artisanal, yet light on the wallet — may well redefine the way Philadelphia eats pizza.

What I love about the dozen pizzas on offer here is that they're far from flashy. The bitter broccoli rabe and gently smoky pancetta topping the vongole (inspired by Frank Pepe's in New Haven) makes for simple equilibrium with fresh clams. Crushed pistachios, thin-sliced red onion and a trio of mozzarella, fontina and shaved Parmesan team up to provide unexpected bliss on another pizza. Roasted fennel provides a wonderful counterpoint to delicate Lingurian olives on the finocchio. Peppery arugula and salty slivers of prosciutto partner perfectly on the San Daniele. Curled-up coins of Abbruzze salami and San Marzano tomato sauce are reminders of what a pepperoni pizza is really supposed to taste like.

Team Stella plays with heat very well, adding long hots to the pesto slathered on the sausage pie and matching hot capicola with red pepper flakes on the piccante. (It was apropos that Donna Summer's "Hot Stuff" began piping through the restaurant the moment the latter pizza arrived.)

My favorite pizza here is perhaps Stella's least subtle — the tartufo. Intensely decadent, this white pie is an orgiastic ménage-a-truffle — truffle crème (mascarpone, Parmesan, chopped truffles), truffle purée (truffle paste and truffles blended with extra virgin olive oil) and a truffle pecorino. Loaded with fiore de latte (a cow's milk mozzarella), fontina and scamorza and topped with an over-easy egg that's broken tableside, there's nothing quite like the intoxicating perfume of this earthy mistress. It's the most expensive item on the menu, yet it remains a relative steal at $17.

Given the quality of the pizzas at Stella, I was disappointed that many of the side dishes are not yet reaching their potential. Painter says the size of Stella's kitchen limits the antipasti and beverage programs, which may be leading to some inconsistency. A simple ribollita, or Tuscan bean soup, was refreshing, as was the octopus and calamari; I loved the sheep's milk ricotta sourced from Italy. I can't say the same, however, about the grilled radicchio. I was disappointed to learn that they began cutting this classic with bibb lettuce because customers complained that the radicchio was bitter (isn't that the point?). I found an onion-based appetizer, heavy on plumped-up raisins and reduced balsamic vinegar, overwhelmingly sweet.

Save room for dessert, though. Stella's house-made gelati, especially the olive oil rendition (made with a peppery Sicilian specimen), gives Capogiro a run for its money.

So Stella is well on its way to influencing the dough-stretching scene in Philly. And the restaurateur who lent the pizzeria its name feels the trend's only going to grow, both locally and globally. "I'm just part of the cosmos," said Starr, who's already expressed his intent to expand Stella in and around the city.

(david.snyder@citypaper.net)

Pizzeria Stella | 420 S. Second St., 215-320-8000, pizzeriastella.net. Mon.-Thu., 11:30 a.m.-10 p.m.; Fri., 10:30 a.m.-11 p.m.; Sat., 11 a.m.-11 p.m., Su., 11 a.m.-10 p.m. Pizzas, $10-$17; antipasti, $6-$9. Wheelchair accessible.

Comments

"Fourteen years ago, Philly's dining scene appealed to a much older crowd — to the extent there was a dining scene at all."

Yo you young whippersnapper: Ever hear of the Restaurant Renaissance? Ever hear of Yuppies? Philadelphia has had an exciting restaurant scene since at least the mid 70's. All along it has been at least partially driven by young professionals.

Stephen Starr is an important part of today's restaurant scene, but I don't recall the Continental being all that groundbreaking other than serving a bunch of flavored martinis.
by Holly Moore on December 23rd 2009 7:53 PM

Holly: I am familiar with the Restaurant Renaissance of the late 60s. But you’re the first person I’ve encountered to suggest that its momentum continued through the 90s or that it should receive such credit for the vibrant restaurant scene we enjoy today. In the research I’ve conducted over the years, it’s Starr’s opening of The Continental that’s often credited as being the catalyst for what is generally seen as a separate (and the current) restaurant renaissance.
by David Snyder on December 28th 2009 11:53 AM

"Pizzeria Stella, the latest addition to Starr's ever-expanding restaurant galaxy, may turn out to be just as revolutionary for Philly."

How can this be a revolution when Osteria has been putting out better pizzas for a few years now? There is no comparison between the two. Osteria's crust and sauce is so much better.
by anonymous on December 28th 2009 10:23 PM

I like Osteria's pies too but what I think what the writer meant is that offering this caliber/style of pizza at these prices is what's notable. The most expensive pizza at Stella is $17 while at Osteria they can go up to $22. Everyone's got an opinion on whose pizza is better, but the fact of the matter is Stella is more accessible to more diners thanks to both location and pricing.
by B.D. Wong on December 29th 2009 12:21 AM

I didn't know just how touchy and personal of subject pizza was until Stella opened. I agree with David--the pies, for me, are amazingly delicious. During my own visits, though, I actually had to dump my husband as my dining companion because these are not the type of pizzas he prefers and I couldn't stand his negativity about something I was so excited to eat. Now I understand: pizza preferences are like fingerprints. David and I must have similar pizza tastes. And as for the restaurant Renaissance business, I would like to think I'm a young whippersnapper, too, but I was eating out in Philadelphia in the 90s and it does seem like the late 90s brought a new wave of excitement. I might site Django as the restaurant that set the scene ablaze though.
by Joy Manning on December 29th 2009 11:12 AM

I would describe the Continental as the beginning of an echo-wave. It owes a debt of gratitude to a few pioneers that came before it. The Frog and the Commissary ushered in a more relaxed Philly restaurant scene back in the mid-70s (thanks you, Steve Poses). Cool neighborhood joints like 16th Street Bar & Grill also marked the start of something resembling hip for younger folks, and further helped to prop up Philly's restaurant cred, Neil Stein's Fish Market represented something exciting and new in the early 80's, too. I'll bet a lot of the people who frequented those places were re-energized by what Stephen Starr did 20 years later.
by Paul Curci on December 29th 2009 2:18 PM

David - The Restaurant Renaissance was the mid/late 70's and early 80's - a great time to live and eat in Philadelphia.

As to the 90's. That is when Walnut Street evolved into restaurant row. Striped Bass, Brasserie Perrier, and a few others. Tony Clark's at Broad and Sansom. Much of Manayunk happened in the late 80s and 90s. Even Tony Lukes opened in the 90s.

This past decade has been a very exciting ten years for Philadelphia dining. So were the 80s and 90s. Most exciting, most impact, though, the original Restaurant Renaissance and, perhaps more than Steven Starr today, Steve Poses with the Frog and the Commissary. Before then Philadelphia was mostly a restaurant wasteland.

by Holly Moore on December 29th 2009 2:26 PM

Are we forgetting about the venerable Marc Vetri and his eponymous restaurant? His rustic Italian spot was conceptualized independently from any Starr influence. The physical plant itself, having once housed Le Bec-Fin, has a direct lineage to the original restaurant renaissance. Vetri has also nourished a culinary crew that gave birth to Osteria and Amis as well as the newest generation of Philly wunderkind chefs and restaurateurs. Michael Solomonov, a former Vetri employee, is at the helm of one of the most acclaimed restaurants in the history of our city and along with Steve Cook and Erin O’Shea is not so quietly building the newest restaurant empire by opening Zahav, Xochitl, and now Percy Street. Starr deserves a ton of credit but by sourcing chefs from outside of our city instead of encouraging internal growth he’s left me seeing his places as a bit soulless. With that said, if it wasn’t for Starr scouring the country for concepts and chefs, Philly wouldn’t have Jose Garces. It looks to me as if there are two independent restaurant revolutions happening in Philly, one that can be traced back to the original restaurant renaissance and the other to Steven Starr.
by T-McG on December 29th 2009 2:56 PM

Holly: I’ve always understood that 1979 was the year the rest of the country became aware of what Philadelphia had already been calling its Restaurant Renaissance. I see 1967 as a beginning point because that’s the year George Perrier came over from France to cook at Peter von Starck’s La Panetiere, which (thanks to Perrier) was described as Philly’s first taste of fine French dining. Other branches grew from there. After Von Starck relocated La Panetiere, Perrier bought the place (now Vetri) and opened Le Bec-Fin there in 1970, which is where Poses cut his teeth before opening the Frog in 1973 with fellow Le Bec alum chef Kamol Phutlek.
by David Snyder on January 5th 2010 10:27 PM



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