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Published: Mar 10, 2010

BLUES, NOT BLUEGRASS

In his article on Philly guitarist Jef Lee Johnson, A.D. Amorosi refers to the great guitarist Lonnie Johnson as a "bluegrass legend" [Cover Story, "Jef Lee Johnson," March 4]. Lonnie Johnson was a blues/jazz legend. He played a sophisticated style of city blues, and made some amazing duet recordings in the 1920s with fellow Philadelphia guitarist Eddie Lang. Lonnie Johnson also recorded with Louis Armstrong and Earl Hines.

As a session musician, I have had the honor of playing on some recordings featuring the guitar work of Jef Lee Johnson. He is indeed a fabulous player and deserves more recognition.

George Abramson
Elkins Park

[Editor's note: The online version corrects this error.]

IF YOU DREDGE IT ...

Shipping companies have been quoted in The Philadelphia Inquirer as saying they would expand their operations, bring larger ships — which would require more workers to unload — as well as possibly make Philly a port of call even before New York, which means more cargo would be off-loaded here [Naked City, "Risk and Reward," Holly Otterbein, Feb. 25]. Philly is closer to Chicago and New York than Hampton Roads or Savannah, which is where a great deal of all goods consumed in this country go.

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While Philly would never be able to compete with New York, a deeper channel would allow Philly more access to traffic that now goes to New York simply because their harbors are deep enough. They'd have a less-crowded option with more capacity by coming here.

To be sure, port authority officials and Gov. Ed Rendell have been saying this for years, but a December article in the Inquirer quoted such shipping companies as COSCO (China Ocean Shipping Co.) and Maersk as [saying they are] looking to initiate new service or expand their current operations. That article also mentioned companies, such as Dole and Chiquita, who actually use Wilmington's port facilities, as saying they would use larger vessels, or just plain expand their operations, if the Delaware River was dredged.

Larger ships, expanded operations equals the same volume as before?

Alan Petty

Comments

In response to George Abramson's note, I did indeed use "bluegrass" as opposed to repeating the words "blues" and "jazz" when referring to the great Lonnie Johnson. I know exactly who Lonnie Johnson is and whom he played with during his long illustrious career. And I know bluegrass, country and jazz guitar - hell, I just did a cover of Jack Rose not long before this. In squashing the history of the Johnson known as Jef Lee in to last week's, I should've perhaps paused and called him an "early jazz/country blues/folk/blues" legend. That's the more accurate description. Lonnie Johnson alone could stand a cover story re-estimation of his career. Still, another reason why I squashed was to pronounce how when you hear the Rediscovering Lonnie Johnson album produced by one of my interview subjects, Aaron Levinson, the biggest joy of it comes from both Johnson's dips into bluegrass. Levinson repeated as much when he gave me the CD to hear. "When you hear the Lonnie Johnson shit it will fuck you up - he plays freaking acoustic bluegrass too." So yes, it's my error or fault that I switched the usual description of who Lonnie Johnson was to suit my story. That was wrong. Perhaps, it was something I missed toward my own third or fourth edit. But I can't help but think, George, that you're just unhappy I didn't chat with you. Since my cover ran, I've spoken with musicians who played with Jef Lee Johnson - play with him now even - who were gracious and cheerful to just see a Jef Lee Johnson story out there, let alone a cover. I've heard from some players who were miffed that I didn't get to them. Just saying.
A.D. Amorosi
by A.D. Amorosi on March 12th 2010 9:27 AM



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