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- • TV COMEDY: NBC is undisputed king, but shouldn't rest on their laurels
- • WEEKEND: Steampunk Expo @ Greater Philly Expo Center
- • POETIC LICENSE: Horoscopes, March 3-10
- • BIG UPS: "Nose to Tail" @ the Green Line
- • FIRST FRIDAY: Free Show @ Danger Danger Gallery
- • TOPMOD: Psychological Disturbance
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- • Philly lawyer speaks to the "two ethniticities [sic]" attractive to Philly casinos
- • "Ray Charles could see that signature was doctored," says judge in State Senator corruption trial
- • Did The Public Record "borrow" from Philly Clout?
- • Is Mayor Street ... working undercover?
- • DROP can be fixed, says Council study — not so fast, says CP's Ralph Cipriano
- • FRACKTRACK: Corbett did not repeal Rendell's moratorium on drilling in state parks last week -- but he plans to
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MUSIC .
Jon Irabagon/Mike Pride
Thu., May 20, 8 p.m., free, Rotunda, 4014 Walnut St., arsnovaworkshop.com.
Published: May 19, 2010
|
jazz
Tenor saxophonist Jon Irabagon is the jazz equivalent of a double agent — his latest disc, The Observer, is a swinging straight-ahead record stocked with old-school players, but he ventures just as readily into the avant-garde, as with the snarky quartet Mostly Other People Do the Killing. Drummer Mike Pride's belligerent punk-jazz leanings leave no doubt as to which side Irabagon is working for in this configuration. The duo's CD I Don't Hear Nothin' but the Blues (Loyal Label) is a single 47-minute blast of relentless improvisation, and while a hard-bop grounding may shine through, it's pulled, taffy-like, into something far more elastic.
Thu., May 20, 8 p.m., free, Rotunda, 4014 Walnut St., arsnovaworkshop.com.
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