by Shaun Brady
Brian Murray
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Weasel Walter's hyperaggressive jazz-noise-metal drumming has lain waste to several metropolises over the past 20 years — Chicago throughout the '90s and the Bay Area more recently. But in late 2009 he relocated to the biggest adversary of them all, and now treks down to Philly with a pair of fellow New Yorkers. Peter Evans' (pictured) trumpet blows right through jazz and into a far more abstract realm, while bassist Tom Blancarte seems to employ improvisation when metal just isn't quite extreme enough. Expect the sort of ruckus that Powel House hasn't heard since the Revolution.


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