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Bret Easton Ellis' new book isn't just a sequel to Less Than Zero, the 1985 novel that catapulted him to fame while he was still in college; it's also part of a continuing midcareer self-re-evaluation that started with 2005's fascinating and frustrating Lunar Park, in which an entirely different Ellis (now married with kids in the New York 'burbs) was terrorized by physical manifestations of his own past literary creations.
Imperial Bedrooms returns to Less Than Zero's Los Angeles, where protagonist Clay is now a reasonably successful Hollywood screenwriter. He's working on a movie, seeing old friends and he's got a new girl, but he keeps getting texts from a blocked number that tell him he's being watched.
Like in Lunar Park, the basic question is: What exactly happens to the characters you create, decades after you create them? There's another question, too, though: What has happened to Ellis' writing in the 25 years since Less Than Zero? To some extent the style here consciously mirrors that of Zero, but now everything seems a little darker, like it's not as much fun as it used to be, and there's a new emotional intensity that Clay seemed too cool to reveal before. As usual, it's hard to tell exactly how Ellis relates to all of this, but those kinds of questions get boring after a while. No matter what, it's worth following Ellis down this rabbit hole.
Knopf, 192 pp., $24.95, June 15
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