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My seventh-grade school portrait begs to differ, but according to Philly photog JJ Tiziou, Everyone Is Photogenic. An offshoot to his personal website, everyoneisphotogenic.com is basically an essay on confidence written for the subjects of Tiziou's million-plus images. "Sometimes we have to remind ourselves," he says, "that the idea of 'some people' as 'photogenic' is a harmful construct. So remember this: Right now, with that little hint of a smile on your face, I think you're the cutest." Shucks.
While Cropsey — Barbara Brancaccio and Joshua Zeman's eerie true-crime doc about a Staten Island bogeyman — is worth the ticket price, the locale seals the deal: This first-run indie is showing at the Prince Theater, which may mean one of the city's prime screening spots is on its way to revitalization. Brancaccio and Zeman will give a talk after Friday's screening (Aug. 20, princemusictheater.org) — just in case you need more convincing that Staten Island should be avoided.
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Singer/guitarist Dean Wareham shouldn't be singularly blamed for the fact that folk music's become a selfish, sadly confessional art form. But if you listen to the way the shimmering, forlorn Galaxie 500 — his Boston-based ensemble with Damon & Naomi, circa 1987-91 — wrapped itself around his funereal tenor and wistful lyrics, it damn well feels as if he made indie rock cry. So take the hit, Galaxie 500 (playing Aug. 20 at the Troc, thetroc.com), and let the sobbing begin.
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