The little village of Anatevka, as seen on stage at the Walnut Street Theatre, is so full of life that the old show feels newly minted.

If you think there are no second acts in American lives, Sunday in the Park with George will change your mind.

August Wilson's greatest works are astonishing in their seamless blend of humble personal narrative and Shakespearean grandeur.

Academia may seem like a bastion of idealism, intelligence and honesty — but scratch the surface and you'll find a cesspit of cheating and low-stakes fraud. If this strikes you as a novel or interesting idea, perhaps you'll be entertained by 516 (five sixteen). If not, don't waste your time.

In When We Go Upon the Sea, playwright Lee Blessing imagines George W. Bush sequestered in a hotel room in the Hague, about to be tried for war crimes.

I am an unapologetic collector of Tennessee Williams' oddities — and they don't come any odder than The Gndiges Frulein.

From frothy musicals to heavy drama, a season doesn't go by without a memorable Mary Martello performance. Now she's written her own vehicle, Happily Ever After, an exploration of what happens to fairy princesses when they hit a certain age.

For all of Hare's airs, The Breath of Life is the stuff of a Lifetime movie.

Golden Age, receiving its world première at Philadelphia Theatre Co., never really arrives.

In the late '90s, when playwright Martin McDonagh grabbed hold of Irish drama, he took traditionally tragic themes — poverty, political strife, alcoholism, psychological violence and turned them inside-out.