The recognition that science is fashion-driven fascinates many artists today.

Painter John Zinsser brilliantly uses a trowel — not a brush or palette knife — to different stylistic, but equally abstract, ends.

Jenny Drumgoole's work has become increasingly bizarre, humorous and unsettling — a feminist Borat meets David Lynch.

The two groups of work on view this month at Locks Gallery are typical — in different ways — of the post-holiday season.

The detritus manifests an amusing gaucherie when hand-patinaed with a colorful, grubby haze.

Combine scintillating intellectual order with cryptic intensity of desire, mix thoroughly and you've got the recipe for Charles Burwell's art.

"Surface Politics" is a piece of installation art in the form of a group art exhibit.

Michelangelo Pistoletto is not as well known in the U.S. as he should be.

The abstract paintings of Diane Pieri and Doris Staffel may not look a bit alike, but they are compatible and companionable in adjacent spaces at Rosenfeld Gallery.

James Brantley: Tranquility | Through Oct. 24, Delaware Center for the Contemporary Arts, 200 S. Madison St., Wilmington, Del., 302-656-6466, thedcca.org When you glimps e