January 30, 1997 | [1997 issue index] |
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Cover Story |
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| Sky Wars Copters, yeah, they've got copters. But are local tv's megabucks toys worth the expense? by Frank Lewis & Scott Farmelant, Frank Lewis and Scott Farmelant |
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sidebar |
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| Fighting without air support by Frank Lewis |
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Opinion |
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LOOSE CANON |
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| Food Lyin' by Bruce Schimmel |
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PRETZEL LOGIC |
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| Jaywalkin' Man Would Thomas Jefferson have waited for the light? by Howard Altman |
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MAILBAG |
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| Letters to the Editor by the Readers |
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I |
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| Growing Up On South It's not just a street it's a classroom. by Rachel Winters |
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News |
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CITY BEAT |
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| Northern Liberation Artists, developers and dreams come together in Northern Liberties. by Scott Farmelant |
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HIT AND RUN |
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| Port Out To Pasture by Scott Farmelant |
Not Giving His du by Scott Farmelant |
Family Feud by Frank Lewis |
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| Let 'Em Eat Cake by David Warner |
To Pay Or Not To Pay by Daisy Fried |
Cage Aux Balls by Frank Lewis |
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| Business Breeds Better Business by Scott Farmelant |
Precedent? Take Two by Scott Farmelant |
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on media |
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| Satire or Smear? by Scott Farmelant |
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POLITICAL NOTEBOOK |
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| Mary Frangipanni's Political Notebook by Mary Frangipanni |
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Arts |
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CRITICAL MASS |
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| Men Have Called Me Mad: An Edgar Allan Poe Love Story O! the lurid, turgid prose of Poe! O! why bother to adapt it to the stage? by Toby Zinman |
The Countess Cathleen Unlike Ozzie Jones' by Cary M. Mazer |
Bare-Knuckle The dialogue gets slower and emptier, and in Act Two the play simply stops. The audience was nonplused to discover the play was over. by Toby Zinman |
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| Festival of New Performance III At an after-show discussion Christophe said he wants to do more mime-based work, and one can only say bravo to that. by Deni Kasrel |
Chronicles of a Comic Mulatta: An Oreo/Choreopoem Luckett pleads for "merging with grace," for tolerance having just spent the last hour and a half telling us how impossible that merging is in the U.S. by Toby Zinman |
Performance In An Intimate Space by Deni Kasrel |
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art |
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| Post-Modern Brides Dresses as traps, cakes with the knife already in nuptial notions at the Gershman Y. by Robin Rice |
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books |
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| The Green Pages A refreshing round-up of healthy-eats cookbooks. by Janet Ruth Falon |
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reviews |
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| Three in the Back, Two in the Head While its dramatic logic moves us inexorably toward wanting to know the truth, the play's true interest resides in the complexity of its lies. by Cary M. Mazer |
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theater |
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| Color Lines Does race divide Philadelphia theater? Sparked by playwright August Wilson, a national debate comes home. by Sara Davis |
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20 QUESTIONS |
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| David Spade by Brian Howard |
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Movies |
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| The Sundance Kid A young animator from Gladwyne reports on his first trip to Bob Redford's movie schmoozefest. by Bill Tomlinson |
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MOVIE SHORTS |
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| Gridlock'd |
I'm Not Rappaport by a.d. amorosi |
Meet Wally Sparks |
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| Shadow Conspiracy by Cindy Fuchs |
Hamlet by Cary M. Mazer |
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Music |
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ICEPACK |
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| Rapper's Delight Grandmaster Flash, Watts Prophets, Last Poets and the roots of hip-hop. by a.d. amorosi |
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Food |
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jim quinn on food |
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| Go Fish The fresh tastes of Chinatown's North Sea. |
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Listings |
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CRITIC PICK |
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| Danzig by Cara Castiglio and Amy Greene |
Joe Christ Movie Night by Neil Gladstone |
Shake & Grind by Jen Darr |
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| Jazz Explosion by Nate Chinen |
Whirling Dervishes of Turkey by Mary Armstrong |
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art |
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| Phoebe Adams/Carole Seborovski by Robin Rice |
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classical |
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| Bach to Bach by Peter Burwasser |
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movies |
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| Star Wars by Rachel Winters |
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six-pick |
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| Abilene Grand Opening by Mary Armstrong |
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