
Showing articles 61 to 70 of 98 by Drew Lazor.
Rated R | 88 min
If the seat-filling
Saw series can be counted on for
anything, it's a pointless plot that arrogantly masquerades as a
diatribe against violence and scene after cartilage-shredding scene
of unnecessary
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Rated PG | 99 min
If you've seen
Mulholland Drive,
Nancy Drew will
disturb you. No, not because the plucky, irrepressible teen
sleuth's (Emma Roberts) easy charm exists on a plane that David
Lynch has yet
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Rated PG | 129 min
Rob Brown seems like he would be a really nice guy if you were
sitting next to him on a plane. But that doesn't mean he's of the
right mind to play Ernie "The Elmira Express" Davis, the
iconoclastic
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Rated R | 107 min
Ben Stiller has been explaining for months now that Tropic
Thunder is his Unsafe at Any Speed for blowhard
Hollywood, an ombudsman-like skewering of thespians who ignore the
boundaries
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Rated R | 105 min
For David Gordon Green's paean to gratuitous action flicks and
the burnouts who love them/wished they were in them, Seth Rogen and
Evan Goldberg (Superbad) have crafted a script that
directs
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Rated PG-13 | 102 min
Robert "Fish" Fishman's life sucks. Nearly a decade into the
21st century, the drummer (Rainn Wilson) is still aching over his
termination from virile '80s hair metal outfit Vesuvius as they
teetered
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Rated PG-13 | 108 min
Criticizing
Mamma Mia! for being a hyper-hammy queenfest
would be like criticizing
Back to the Future because time
travel isn't real. There's no point in levying attacks against a
bring-your-granny
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Rated G | 97 min
Anti-corporate rhetoric handblown by Disney? Audible hypocrisy at
its most odious. But if you're gonna do it, at least make it
adorable. Director Andrew Stanton (
Finding Nemo) achieves as
much
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Rated PG-13 | 105 min
Writer/director/star Christopher Bell brings a palatable everyman
eye to this examination of how America's reverence for all things
musclebound plays into our obsession and disgust with anabolic
steroids.
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Rated R | 108 min
Wanted is a perfect example of why the terrorists hate us.
Director Timur Bekmambetov's first American film is brash,
obnoxious and laughably arrogant, puffing its chest out so far that
it's impossible
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